Since 1964, AMDA’s mission has been to provide an ideal environment for performers to thrive. To realize that goal, the school opened its doors to the best and the brightest performing arts professionals in the world. The unrivaled access and industry insight our faculty members provide produces year after year of well-rounded, business-savvy, working professionals.
Dance, Musical Theatre
Theatre credits: The Pearl Theatre Company at City Center: Henry IV Part I (Falstaff), You Never Can Tell (Waiter), The Philanderer, The Bald Soprano, Romersholm, Misalliance, The Subject Was Roses, Richard III, The Master Builder, Angel Street, The Gentleman Dancing Master, Heartbreak House, I Have Been Here Before, The Oresteia, The Country Wife, The Cherry Orchard and others; Keen Company: The Dining Room (Drama Desk Award), In The Matter Of J. Robert Oppenheimer; The New Group: Sin: A Cardinal Deposed (Obie Award); Lincoln Center Theatre Company: The Tenth Man; CSC: The Scarlet Letter. Film: The Wolf of Wall Street, Mr. Bear, Duplicity, Blood and Wine, Seabiscuit, Daylight. TV: Boardwalk Empire (HBO), Law & Order: CI (USA), Ed (NBC), The Prosecutors, Pete & Pete and all NY soaps. Acting instructor: Notre Dame, University of Washington, Pearl Theatre Company, private coaching.
Musical Theatre, Acting
An accomplished actress, mezzo-soprano, writer and improviser, Gail wrote and performed in her one-woman show That Gail, has appeared on television in Law & Order: Criminal Intent, and is a founding member of two all-female sketch-comedy troupes: Womedy and The Heartless Floozies. Gail has also performed with the ForPlay Improvised Theatre in performances of Off-The-Cuff, The Pollyannas and The Sunday Night Improv Jam, in addition to writing, producing and performing in Judy’s House, a comedy/variety show at New York’s Abingdon Theatre.
With more than 20 years of experience coordinating sword and stunt sequences, Charles is one of the industry’s foremost authorities on the art of combat. During the course of his impressive film and theatre career, he’s worked as the military technical advisor on HBO’s award-winning miniseries The Pacific, conceptualized complex military formations for Oliver Stone’s Alexander, and choreographed fight scenes featuring Milla Jovovich in Resident Evil: Extinction.
Voice Production and Speech
Chris brings over a decade of teaching experience and voice performance to the classroom, having taught both students and professional actors the art of voice, speech and dialects for microphone, film, television and stage. In addition to instructing students at AMDA, his other teaching credits have included Marymount Manhattan College, Mason Gross School of the Arts at Rutgers University and ABC Studios. Chris earned his BFA in Acting from SUNY Fredonia and his MFA in Acting from Ohio State University.
Michael has been acting professionally on stage since the age of eight, having appeared in numerous Broadway and regional productions, as well as the television shows New York Undercover and The Guiding Light. Michael is also a committed educator, having co-founded Build a Better Actor, an educational workshop for artists, and co-authoring The Complete Professional Audition: A Commonsense Guide to Auditioning for Musicals and Plays. Additionally, Michael designs and facilitates doctor/patient simulations with Columbia University, "The Doctor Oz" show and neurologists and doctors around the country.
Acting for Film and TV, Acting
As a writer, director and producer, Jason has had a hand in shaping hundreds of film and theater projects, including the award-winning independent film Kissing Jessica Stein, the films Remember, Putzeland The Suzy Prophecy, and the plays Talk Radio and Acapulco. Additionally, Jason worked on a development deal for HBO and collaborated with legendary artistic director Curt Dempster at New York’s famed Ensemble Studio Theatre, where he worked with David Mamet on No One Will Be Immune and Arthur Miller’s Elegy For A Lady.
Individual Voice/Director American Opera Lab
An accomplished Soprano, Jacklyn Schneider has performed lead roles in Tosca, Albert Herring, Ariadne auf Naxos, and Belisario, among others. She has received numerous awards and grants, including those from the Corbett, Kaufmann-Ruud, and Sullivan foundations, a Metropolitan Opera award and first prizewinner of the Joy in Singing Award. Her successes as a teacher and vocal coach are apparent in the accomplishments of her students, many of whom have gone on to win vocal competitions while launching flourishing careers as performers.
As a director, choreographer and performer, Casey has accumulated a substantial list of credits spanning Broadway productions, regional theatre and international tours. From playing the Scarecrow in The Wizard of Oz at Madison Square Garden, to performing in European tours of A Chorus Line and My Fair Lady, to directing productions of Aida, Les Miserables and Evita, Casey has done it all. Some of his favorite roles include Edna in Hairspray, Lumiere in Beauty and the Beast, Rum Tum Tugger in Cats and both Roger and Carmen in The Producers.
With a long list of credits as an actor and director, Evan offers a wealth of knowledge and experience to his students. In addition to many regional and touring productions, he’s appeared on Broadway in My Favorite Year, Parade, Putting It Together and A Chorus Line, Off-Broadway in I Can Get It for You Wholesale, The Immigrant and Pera Palas, and in West End productions of Merrily We Roll Along and Follies. Evan’s directing credits include Seven Brides for Seven Brothers, Funny Girl, Parallel Lives, Daily Sounds and A Man of No Importance.
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